This two-year study has revealed that all the paints used for the Vision of Zacharias in the Temple are found in other Rembrandt van Rijn works from the same period. The painting technique and the build-up of paint layers are also comparable to other early works by Rembrandt. Macro-XRF scans and visual inspection additionally revealed compositional changes that support the authenticity of the work. Research into the signature shows that it is original, and dendrochronological analysis of the wooden panel confirms that the date of 1633 on the painting is correct.
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