借着OpenClaw这一“东风”，不少人将月之暗面的逆袭归结为“运气好”，踩中了Agent叙事爆发的节奏，但真的只是如此吗？
这并非孤例。近年来，从虚拟成瘾到现实暴力的极端转化，以及从短视频中习得犯罪技巧并付诸实施的现象，正向司法治理提出新的挑战。数字化浪潮下，未成年人犯罪呈现出哪些新特征？当网络游戏、短视频深度嵌入少年日常，我们又该如何降低其诱发暴力的风险？针对这些问题，南方周末记者专访陈宜芳。
先看整体。2025年，彩妆/香水/美妆工具GMV达1227.94亿，同比增长9%；2026年1月，GMV增长25.6%至127.7亿，持续释放回暖信号。，详情可参考PDF资料
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Something that used to come naturally is now a subject of longing and fascination, as if it were a rare anthropological phenomenon. Videos are springing up on social media, cataloguing encounters with the unknown “other”: earnest, well-meaning, wholesome videos, under the categories “social anxiety”, “extrovert” and “talking to strangers”. Many have the unstated theme of “out and about in the big city”. Some are personal experiments, often extremely ill-advised ones. Can you challenge yourself to tell a joke to an entire train carriage? What happens if you go up to an older woman and tell her she looks beautiful? The (usually young) person doing the filming is often trying to improve themself in some way or attempting to “be braver” or “less socially anxious”. The camera acts as their accountability partner. The people they’re talking to are relegated to the role of “task to be ticked off the list”. Either that or there’s a push towards a Hallmark card effect: “Look, other people are not as horrible as you thought.” (Cue swell of trending motivational audio.)，推荐阅读PDF资料获取更多信息
Chan reported from Hong Kong. Associated Press writer Huizhong Wu and researcher Shihuan Chen contributed.