"sonnet45MigrationComplete": true,
The stamp has a thin dark inner border line just inside the perforations, framing all content. Below this inner border line, there is a flat white horizontal strip spanning the full bottom width of the stamp, sitting inside the perforated edge. In the bottom-left of this white strip: the movie title in large heavy bold grotesque sans-serif font (similar to Franklin Gothic), in solid black. In the bottom-right of this white strip: the most accurate and natural Japanese kanji translation of the title or central theme of the movie in large bold black text, with small text above it reading “NIPPON 郵便”, and two lines of tiny black text below it — the first line showing the most iconic or recognizable location from the movie in all caps, and the second line showing the country where the movie was produced followed by a · and the year the movie was released — all right-aligned.
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Besides the Test PLA, the 386 has another PLA called the Entry PLA that maps opcodes to microcode entry points. One of its input bits is a "protected mode" flag. Many instructions have both a real-mode and a protected-mode entry point -- for instance, MOV ES, reg maps to address 009 (a single microcode line) in real mode, but to 580 (which initiates a full descriptor load with protection tests) in protected mode. The trick that makes V86 work is to define this flag as:
曾国藩的前辈老乡、大儒王船山的话更厉害——比如，为储粮备荒、平抑物价、赈灾救急等等，历代由朝廷或地方乃至乡绅出资建义仓、社仓，这是不是慈善？当然是。可是王船山反复批评这种义仓、社仓。为什么？因为它的作用有限而流弊益多，且以公义之名，蔽人眼力、阻人思想。正如当今由单位机构出钱组织义务写春联、送春联，固然是善事，但这种公益活动的流弊实在太大，同样以公义之名，蔽人眼力、阻人思想、消解人参与体验。