Фото: Aziz Taher / Reuters
The film is a wash of iridescent hues, all beautifully captured by Gaspar Noé's go-to cinematographer Benoît Debie, whose Enter the Void energy works strangely well in Outcome. Every scene in Reef's home or Ira's office seems permeated with golden glows or neon gradients, which make them feel just a little bit unreal.
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